If I were Captain Ahab, my Moby-Dick w
ould definitely be this glaze. You would think that making the perfect white glaze would be easy. I mean, there’s no color right? Well, there are about one billion shades of white out there in the world. Check it out for yourself the next time you pass the paint aisle at your favorite home improvement store. Yes, it’s about a billion - or just as overwhelming! In ceramics, color is only half the consideration (or in my case, the battle) when it comes to developing or finding a new glaze recipe.
The tough questions that had to be answered were:
1. How would it break over the texture?
2. Would my very detailed work look best encased in a gloss or matte finish?
3. Will I be able to read stamped text?
4. How would it look using a wax resist technique?
5. What would my white stoneware clay body look like under a super white glaze – yellow, ecru or white?
6. How would it look layered over color? Should it be layered over color? Would it like that or would it give me a tough time?
7. Does it like being thick or would it crawl (unevenly break and produce bare spots in areas)?
8. Will it show my finger or dipping tong marks?
9. Is it too runny? Will it ruin my kiln shelves?
10. How many f-bombs will this particular glaze produce? (THIS IS THE MOST IMPORTANT QUESTION!)
After about a year of testing and refining, I finally think I have it. I think I have achieved the perfect balance of gloss and matte without it being too garish. I’m very excited about this new glaze!!! BE ON THE LOOKOUT FOR THE NEW L-ROD (thanks to A-Rod, this is what people now call me) WHITE ON WHITE COLLECTION THIS SPRING! I’ll probably tweak this crazy recipe for another year or so because, of course, I need to achieve sparkly too! “There she blows!” – Melville
P.S. – These photos are bad mobile uploads, but better pics soon to come.

















